It was my first trip to Shanghai, China, and I had arrived a few days before the press preview of the Shanghai Contemporary Art Fair and had a taste of fast paced urban lifestyle in Shanghai. As I step out from my cab, I was immediately impressed by the magnificent beauty of the Shanghai Exhibition Center. The grand colonial Russian classical style architecture, spanning over 80,000 square meters, of which 22,000 square meters are open for exhibition purposes, completed in 1955, was the epicenter of the annual Shanghai Contemporary Art Fair.
I was excited to check out the Shanghai Contemporary Art Fair as I was there to support our Singapore representatives.
Gallery 2902, Linda Gallery and Art Seasons, represented Singapore among the major Chinese and European art galleries. In the recent years, Chinese art buyers have been contributing to the boom of the art scene in China and international market. I was excited to see which Singaporean artist gets to be showcased to these hardcore buyers who think nothing of splurging a couple of thousand dollars on a piece of art.
I made my way through the gigantic art fair, crossing paths with the champagne and LV toting socialites, and was inundate by all the great artists works. I felt a little lost and alienated in this art fair as almost 90 percent were showcasing Chinese artists works of art. It didn’t help that my Mandarin was terrible and communicating with the fair staffs was almost impossible as they gave me blank looks or almost ignoring me as I wasn’t a celebrity or hotshot buyer. In the end, I was able to find the news center and found someone who could comprehend proper English. Adding on to my delight, I found Gallery 2902 which was showcasing 2 Singaporean artists at their space, John Clang and Robert Zhao Renhui.
Robert Zhao Renhui’s works showcased at the Gallery 2902 booth at the Shanghai Contemporary Art Fair
John Clang’s works showcased at the Gallery 2902 booth at the Shanghai Contemporary Art Fair
Both John Clang and Robert Zhao’s works hung proudly at the Gallery 2902 booth. And I saw many people inquiring about the artists and their works. It was a moment of pride being a Singaporean.
At the fair, there were also special projects and exhibits. Hot Spots, an invitation-only exhibition curated by SH Contemporary in collaboration with Arthub Asia, presents monumental works by established artists. Singaporean artist, Heman Chong, had a special commissioned project for Hot Spots. A sea of a million black cards flooded two corners of the room. Titled “Monument to the people we’ve conveniently forgotten (I Hate You)“, is an ironic memento of the typical meeting’s gesture of the card exchange.
Heman Chong’s “Monument to the people we’ve conveniently forgotten (I Hate You)“
The 2011 Shanghai Contemporary Art Fair was truly impressive. I hope our artists who had their works showcased impressed art buyers who visited the fair. But I also hope to see more Singapore art galleries and artists at the next Shanghai Contemporary Art Fair.