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  • Capturing Singapore’s Local Identity

    Capturing Singapore’s Local Identity

    With Singapore’s National Day celebrations following the London 2012 Summer Olympics, it is easy to get swept up in a sense of national pride. These public spectacles aside, how does the
    visual arts better help us understand our national identity? How have artists depicted our local histories, and tied it to their own personal life-stories? How can we rediscover our country with new eyes through art?

    Singapore’s art scene has been said to be characterized by a pastiche of styles, taking its cues from Western (historical or contemporary) art movements and Eastern artistic traditions. Nevertheless, our local artists have still tried to examine questions of what
    defines us as Singaporeans, either as a national collective, or as individuals. 

    In Singapore’s earlier decades, pioneer artists like Chua Mia Tee and Liu Kang captured life in Singapore through their depictions of local scenes and landscapes. While Liu Kang adopted a more lyrical (more…)

  • Arts in the heritage clan associations

    Arts in the heritage clan associations

    At the July 2012 HeritageFest Chinese clan association walk, we discovered that there are paintings, dance performances and concerts in them.

    Aritute - HeritageFest 2012 Clan Association Walk

    Aritute - HeritageFest 2012 Clan Association Walk<

    Paintings in the Kong Chow Wui Koon (Guangzhou clan association in Chinese dialect, Cantonese), which is about 170 years old.

    (more…)

  • Void & Void Decks: Chow Chee Yong and Tang Ling Nah

    Void & Void Decks: Chow Chee Yong and Tang Ling Nah

    Chow Chee Yong and Tang Ling Nah - Wandering Voids

    Wandering Voids, 2012

    Chow Chee Yong and Tang Ling Nah

    Presented by The Private Museum, VOID & VOID DECKS is the inaugural collaboration between two Singaporean artists Chow Chee Yong and Tang Ling Nah. Coming from their respective backgrounds (Chow is a photographer and Tang is a artist specialised in charcoal drawing), the two artists cross paths for the first time in their research practices and choices of media.

    Chow attempts to capture the intangible and temporal 3rd space in his photographs with a single shot, without further manipulation. One the other hand, Tang suggests the extension of space through her charcoal drawings of passages and openings.

    (more…)